<-- flattop with connes and nuttall for stickyness
Wednesday, March 31, 2021
since i was surprised at the last setup i will aim now at trying some different movements along with percussion and kinetic functions to try to solve some more quality problems. this is kind of fun where i can try to get the quality adjusted on my own time with my own amount of effort....
<-- flattop with connes and nuttall for stickyness
Monday, March 29, 2021
Headphone Model: JLAB STUDIO ON-EAR HEADPHONES (wired)
Album List:
Tool - Lateralus: FLAC original cd freac cd audio extraction software (0 flac encoder compression setting, no extra signal processing added to extraction settings)
Tool - Fear Inoculum: FLAC (internet download)
Tool - 10,000 Days: FLAC (internet download)
--> utilizing: - freac - audio encoder utility for linux (latest AppImage Release from freac.org /w flac encoder version 1.3.3)
Albums: Tool - Lateralus, Tool - 10,000 Days, Tool - Fear Inoculum
FLAC Mode Options: Custom settings - Joint Stereo <-- (not enabled) , Adaptive Joint Stereo <-- (not enabled)
Options:
Format: Use Streamable Subset
Window functions(s):
Quantized LPC precision: (auto)
Exaustive Model Search: Checked
Optimize LPC quantization: (unchecked)
Minimum partition order: 0
Maximum partition order: 5
Signal Processing Options Settings:
Sample Rate: Linear Interpolator - 44100 Hz
Sample Format - Integer - 24
None
Player Settings:
DSEE HX: Off (experimental)
DC Phase Linearizer: On (experimental)
Player Output Settings:
-3 Decibal Gain set to: Off
Same as PCM Gain setting: On
Equilizer Settings on Equilizer Settings on Model Player:
None (experimental)
Note:
More and so much more to do (with the ?mono?)
Sunday, March 28, 2021
a new schedule of trying out apodization with partial and regular tukey this time instead of just using punchout_tukey all the time. i was trying to experiment with punchout now i want to pick back up on partial and regular tukey
<-- high n punchout for kinetic
Friday, March 26, 2021
Thursday, March 25, 2021
Tuesday, March 23, 2021
another try
Monday, March 22, 2021
another try
Sunday, March 21, 2021
Headphone Model: JLAB STUDIO ON-EAR HEADPHONES (wired)
Album List:
Tool - Lateralus: FLAC original cd freac cd audio extraction software (0 flac encoder compression setting, no extra signal processing added to extraction settings)
Tool - Fear Inoculum: FLAC (internet download)
Tool - 10,000 Days: FLAC (internet download)
Adam Jones - The Witness: FLAC (internet download)
--> utilizing: - freac - audio encoder utility for linux (latest AppImage Release from freac.org /w flac encoder version 1.3.3)
Albums: Tool - Lateralus, Tool - 10,000 Days, Tool - Fear Inoculum, Adam Jones - The Witness
FLAC Mode Options: Custom settings - Joint Stereo <-- (not enabled) , Adaptive Joint Stereo <-- (not enabled)
Options:
Format: Use Streamable Subset
Window functions(s):
Quantized LPC precision: 13
Exaustive Model Search: (unchecked)
Optimize LPC quantization: (unchecked)
Minimum partition order: 4
Maximum partition order: 8
Signal Processing Options Settings:
Sample Rate: Linear Interpolator - 44100 Hz
Sample Format - Integer - 16 bit
None
Player Settings:
DSEE HX: Off (experimental)
DC Phase Linearizer: On (experimental)
Player Output Settings:
-3 Decibal Gain set to: Off
Same as PCM Gain setting: On
Equilizer Settings on Equilizer Settings on Model Player:
None (experimental)
Note:
Whatever inside the most fine and subtle
Friday, March 19, 2021
Headphone Model: JLAB STUDIO ON-EAR HEADPHONES (wired)
Album List:
Tool - Lateralus: FLAC original cd freac cd audio extraction software (0 flac encoder compression setting, no extra signal processing added to extraction settings)
Tool - Fear Inoculum: FLAC (internet download)
Tool - 10,000 Days: FLAC (internet download)
Adam Jones - The Witness: FLAC (internet download)
--> utilizing: - freac - audio encoder utility for linux (latest AppImage Release from freac.org /w flac encoder version 1.3.3)
Albums: Tool - Lateralus, Tool - 10,000 Days, Tool - Fear Inoculum, Adam Jones - The Witness
FLAC Mode Options: Custom settings - Joint Stereo <-- (not enabled) , Adaptive Joint Stereo <-- (not enabled)
Options:
Format: 32768 Samples
Window functions(s):
Maximum LPC Order: 23
Quantized LPC precision: 13
Exaustive Model Search: (unchecked)
Optimize LPC quantization: (unchecked)
Minimum partition order: 9
Maximum partition order: 13
Signal Processing Options Settings:
Sample Rate: Linear Interpolator - 88200 Hz
Sample Format - Integer - 16 bit
None
Player Settings:
DSEE HX: Off (experimental)
DC Phase Linearizer: On (experimental)
Player Output Settings:
-3 Decibal Gain set to: Off
Same as PCM Gain setting: On
Equilizer Settings on Equilizer Settings on Model Player:
None (experimental)
Note:
The Crap keeps going with the rest in my own non quad for tasting moreso like the environment {doe{s}}
trying the encodings are good for thinking along the line of measuring exactly what you want out of the flac custom setup but ususally ive been doing it without paying attention to the LPC and Residual Coding slider bars on the freac encoder window where i put in the custom window list. somehow the list remains usually what i want but setting up the sliders to the point of having the listening result up to a good measurement is kind of confusing. if you have the energy to adjust the slider in just the right position for the encoding that would be good because i think the sliders affect exactly the right quality effect for what the encoding is suppose to look like in the end result in mostly the proper order of using the software. a proper take would be reading on what the LPC and residual coding value does and then using that thinking for how your going to setup the results. i just adjust and listen and make more adjustments. im thinking though the sony player has a little private company side to the way they put their device up to the quality issue when at any point the owner of the device would kind of play their rule in measureing things like this. there is definitely a private protected side to the sony player that sony didnt want all the way manageable in this case when measuring then listening. very strange and with me i get to some frustration.
a new try with gradient taper values and 4 5 6 7 punchout_tukey(n) only
Thursday, March 18, 2021
a new try with gauss
Wednesday, March 17, 2021
according to my listening of the Qobuz 44 16 cd quality album of Lateralus, i want to try something that might allow a similarity in their digital copy of the album with my custom setup. im going to try a 4 5 6 punchout_tukey(n) roll with rectangle hamming and triangle into some more critical functions for reasoning around the main idea of how i know what they kind of do for the signal
Here is a copy of Qobuz CD quality 44 16 Tool - Lateralus FLAC format album and a CDRIP of my own copy of the album using freac cdripper and re-encodoing the rip files with custom window options in freac. you can compare the difference from each album on your player and get a little insight.
Tuesday, March 16, 2021
another try
Saturday, March 13, 2021
another try
Friday, March 12, 2021
another try
a new try
Tuesday, March 9, 2021
a new try with custom options with 48 khz and 16 bit sample conversion in mind. the custom options has to be correctly setup. i must say it makes some previous attempts look like i was lost in time with how i was attempting to draw on listening for results.
Bozo The Aumeri Clown: Feeling on Cars so ene thing just gis need get veam
(Collins)
Hello, I Must Be Going, 1982 <carcinogenesis> (going be i hello must)
Well you can tell ev'ryone I'm a down disgrace <carcinogenesis> (down can tell you well a disgrace ev'ryone)
Drag my name all over the place. <carcinogenesis> (place name over all my drag)
I don't care anymore. <carcinogenesis> (anymore dont care i)
You can tell ev'rybody 'bout the state I'm in <carcinogenesis> ('bout I'm in the tell can you state ev'rybody)
You won't catch me crying 'cos I just can't win. <carcinogenesis> (you me crying 'cos win can't just won't <carcino're'no'genesis> (catch i)
I don't care anymore I don't care anymore <carcinogenesis> (anymore care anymore care dont i <carcino're'no'genesis> (dont i)
I don't care what you say <carcinogenesis> (care what you say i dont)
I don't play the same games you play. <carcinogenesis> (the same games you don't play you play)
'Cos I've been talking to the people that you call your friends <carcinogenesis> ('Cos talking to you your friends that the people been I've been call)
And it seems to me there's a means to and end.
They don't care anymore.
And as for me I can sit here and bide my time
I got nothing to lose if I speak my mind.
I don't care anymore I don't care no more
I don't care what you say
We never played by the same rules anyway.
I won't be there anymore
Get out of my way
Let me by
I got better things to do with my time
I don't care anymore I don't care anymore
I don't care anymore I don't care anymore
Well, I don't care now what you say
'Cos ev'ry day I'm feeling fine with myself
And I don't care now what you say
Hey I'll do alright by myself
'Cos I know.
'Cos I remember all the times I tried so hard
And you laughed in my face 'cos you held all the cards.
I don't care anymore.
And I really ain't bothered what you think of me
'Cos all I want of you is just a let me be.
I don't care anymore D'you hear? I don't care no more
I don't care what you say
I never did believe you much anyway.
I won't be there no more
So get out of my way.
Let me by
I got better things to do with my time
I don't care anymore
D'you hear? I don't care anymore
I don't care no more
You listening? I don't care no more
No more!
Monday, March 8, 2021
Sunday, March 7, 2021
it seems the more i tried using punchout the only thing i came up with is that punchout_tukey allows some sort of special idea surrounding what you may want out of a type of quality digitial player. if the player isnt high quality you might not get alot of of getting sophisticated with the tukey functions because the tukey sophistication allows certain hardware technology to be used in sort of play on how really good it is. when i use my sony it only gets so specifically technical because i use punchout_tukey with some sophistication i want to get some sort of technical detail out of the technology itself but i only get so far. actually im going to try to proove that kind of in the wrong direction now becuase im going to use less punchout functions from now on and try to make out a way i can get the signal right in the acoustics of my tool albums on my player. im going to try to figure out a way to get some kind of roll out of how im going to pile the right functions right and add just a little punchout. the player amplifier technology does its job so punchout should be a little addition to that property of measureing. the roll of the players technology should just play a nice take on simple signal manipulation instead of prying the signal wide open.
Saturday, March 6, 2021
a new try with a padding type of idea i had
a new try with gauss in sort of way i want to test some things
a previous post without some tapering in certain rounds {update}
<-- punchout pad with hann blackman_harris and rectangle punchout_tukey(4/0.2255);hann;rectangle;welch;blackman_harris_4term_92db;parti...
-
gauss(0.123);gauss(0.123);tukey(1/0.341/0.341);blackman gauss(0.123);gauss(0.123);tukey(1/0.341/0.341);blackman_harris_4term_92db gauss(0.12...
-
<-- punchout pad with hann blackman_harris and rectangle punchout_tukey(4/0.2255);hann;rectangle;welch;blackman_harris_4term_92db;parti...
-
gauss(0.123);partial_tukey(4/0.231);hamming;blackman;gauss(0.123);bartlett;gauss(0.123);welch;gauss(0.123) gauss(0.123);partial_tukey(1/0.23...