the last setup did some things for my head when listening to adam jones - The Witness on my sony nw-zx507 walkman. in the most ideal case for setting up the encoding you want to first try to figure out, when first starting out with flac as a beginner, what apod function does certain things different than others and how to interoperate inside of the steps of each on surveying each other. the main point i was thinking in a sort of way is some functions are fashioned different than others, sort of like kinetic or acoustic and more percussive and mainly gauss has either, to me, a mysterious role inside of how to interpolate the other apod functions along side (behind or infront of {gauss}) or a more obvious substancial role during the playing of songs where the manifold of the heaphone driver and coil has a sort of play in the sort of rule of thumb for people like tool to make out what they want in their endeaver to roll out the music for listening on phones specifically. the way flac works is somehow in the realm of science and making out the idea for scientific reason with the role of the codecs in the main is that the stepping process for much the notion for setting up apod functions (in the first place) is to rule the main frames of empirical points together, heaphones, amplifier, codec complexity, device power source and music authorship. so before i got the sony nw-zx507 i had an nw-a55 and before in certain posts i mentioned makeing out that i wanted a new player really bad. in some way i was sort of stuck where to move my mind in and out of trying out flac apod functions in orders in and out of putting it together for the software and listening because the player was leading me into a place in one direction of where i was at with listening, and also how to turn my ideas about the formal ideal in formals to make out some observations. in the previous setup in the previous post, bartlett takes me past the other player (nw-a55) and puts me where i am at with the nw-zx507. the function was neat function to me during my previous player, and it turned out pretty powerful but mysterious because the players power and amp was really kind of industrially small (the phones output only got so flavoring in the respect of the complexity of the setups). i need to figure out if bartlett has some fine line inside of particular gradual refinement inside of use with other functions as much the use of bartlett holds me to put it up in front and make out some real thought as to where i am to use it more with interest in the next setups i try out. gauss is another mystery too.