the AL in themodyne

Friday, January 17, 2020

How do you suppose in the eve of all days do you get to the notion that i or you would have somthing to go about feeding on something along the line of a house or somthing to have with all active without feeding to much into such positioning on which to formal inside the compositing within the house but much the ideal and growth along the straight way and sure way in horn and culture with somehow though one can make out grass there is formals in having a notion to sample the ideal taste of what might maintain in a field with a cow. i suppose you might in your mind sample the weight of which can maintain the formal in how these Digital Audio Player lay about the toucatan inside of a warehouse or be so slightly phoml within the culture of hands and feets to take on the way about the notion to have the prugators tailing the mast composite from which to status the informal of the devices lay within something to which is not so oweing to the taste for which is outside of those or within this much to fathom in how i suppose i pout the pictures of this device on a camera insomuch i weight out ... the ideal to take on the compositing on pushing around and containing and also no constance in how about who and maybe how maintains its use but so much altogether tastes and composites in where and how and to maintain the insomuch culture of remaining is such the notion that in the formal constance of the material grade of anything there is somthing standing within the nature all within the formal occlusom of undermining nothing so much but the weight of how about no taste and no culture has a determinant in calling the mind forward with phoml stages in oweing your 'self' to the compositing of pout'ing with cultures with or without press in deriving from the material grade and so much pulling out of all formal cultures and remaining, if one can take attention to, plying about the compositing to sell the day and culture to frames of which time can maintain for such a grade to reason with and maintain the grade to reason for other things and the other and the culture to pout and the forsyth to owe to and the self to expose and derive and so much for character all is left but time and tastes and a grade for which all owes within culture to take after the formal in inieysze. i can make out in my mind i take time to ply about the device and so much entoge for to take up in some of the compositing in formal weight with time in compositing that all lasting measure meet up to the weight of the material grade and to take from the lasting measure of my pouts and remain to the side of a particularly ass'iss'tance candy to measure all to take from time and remain inside of all culture where exposure takes place. if you take from a cow you dont and if you ply from a material such as this you dont do anything but ply and formal the mast to take from everything which is open to no so much taking from and to maintain a cow and a field of portention whereas the main idea from which is compositing inside rests ahead and in front and also maybe the grade for which no man understands and cultures about the weight of which only sea creatures know and that is the candy to have without weight in such cultures the sides to at least dry up ahead and maintain almost the most constant and mysterious and entogee's and that is also without maintainment and without remark and to forward in compositing was to be ahead of somthing going on behind and in front and somehow one is misc'd and maintaining the somethine so clear in fact and so pure in clarity the mystery might take your taste and your eyes and your mind to pouhr with and maintain all missed the dexterity of which god and jesus himself can pour the mind tall on and something remains at the sides'. i suppose if you reach for things and maintain in remarks ... one missed ... one has ... and all come together for one to the next without anything but a maintainment and the other has left the mind and the culture of which goes forward takes you for what is within the mind and all goes by missing somthing. yes ... a mystery.

Thursday, January 16, 2020

Tuesday, January 14, 2020

Monday, January 13, 2020

Music/Media Format Product Model: SONY NW-A55 DIGITAL AUDIO PLAYER
Headphone Model: JLAB STUDIO ON-EAR HEADPHONES (wired)

Album List:
Tool - Lateralus: FLAC cd rip Windows Media Player (Highest "Quality" Setting)
Tool - 10,000 Days: FLAC cd rip (internet download)

--> utilizing: - freac - audio encoder utility for linux (latest AppImage Release from freac.org /w flac encoder version 1.3.3)

freac utility warning: dont set any expirmental 'Resources' options because it will cause irregularity in sound quality

Albums: Tool - Lateralus, Tool - 10,000 Days

FLAC Mode Options: Custom settings - Joint Stereo <-- (not enabled) , Adaptive Joint Stereo <-- (not enabled)
Blocksize: 32768
Window functions(s):

tukey(0.5);blackman;kaiser_bessel;rectangle;triangle;hann;bartlett_hann;bartlett;flattop;nuttall;welch;connes;gauss(0.2)

Maximum LPC Order: 32
Quantized LPC precision: 15
Exaustive Model Search: (unchecked)
Optimize LPC quantization: (unchecked)
Minimum partition order: 16
Maximum partition order: 16

Signal Processing Options Settings:
Sample Rate: Best SINC Interpolater - 44kHz

Post Processing:
None

Player Settings:
DSEE HX: Off (experimental)
DC Phase Linearizer: Off (experimental)

Player Output Settings:
-3 Decibal Gain set to: On
Same as PCM Gain setting: Off

Equilizer Settings on Equilizer Settings on Model Player:
None (experimental)

Note:
None

Sunday, January 12, 2020

Music/Media Format Product Model: SONY NW-A55 DIGITAL AUDIO PLAYER
Headphone Model: JLAB STUDIO ON-EAR HEADPHONES (wired)

Album List:
Tool - Lateralus: FLAC cd rip Windows Media Player (Highest "Quality" Setting)
Tool - Aenima: FLAC cd rip (internet download)
Tool - Fear Inoculum: FLAC cd rip (internet download)
Tool - 10,000 Days: FLAC cd rip (internet download)
A Perfect Circle - Thirteenth Step: FLAC cd rip (internet download)

--> utilizing: - freac - audio encoder utility for linux (latest AppImage Release from freac.org /w flac encoder version 1.3.3)

freac utility warning: dont set any expirmental 'Resources' options because it will cause irregularity in sound quality

Albums: Tool - Lateralus, Tool - 10,000 Days, Tool - Fear Inoculum, A Perfect Circle - Thirteenth Step, Tool - Aenima

FLAC Mode Options: Custom settings - Joint Stereo <-- (not enabled) , Adaptive Joint Stereo <-- (not ennabled)
Blocksize: 32768
Window functions(s):

tukey(0.21);welch;rectangle;blackman;triangle;nuttall;tukey(0.19);rectangle;connes;hamming;kaiser_bessel;nuttall;gauss(0.003);tukey(0.17);welch;triangle;kaiser_bessel;flattop;nuttall;gauss(0.003);tukey(0.15);welch;rectangle;bartlett_hann;nuttall;tukey(0.12);rectangle;connes;nuttall;gauss(0.05)

Maximum LPC Order: 32
Quantized LPC precision: 15
Exaustive Model Search: (unchecked)
Optimize LPC quantization: (unchecked)
Minimum partition order: 16
Maximum partition order: 16

Signal Processing Options Settings:
No Options Settings Selected or put in place.
Note: (im using legacy 16 bit 44 kHz default flac encoder setting for original cd rip formatted songs)

Post Processing:
None

Player Settings:
DSEE HX: Off (experimental)
DC Phase Linearizer: Off (experimental)

Player Output Settings:
-3 Decibal Gain set to: Off
Same as PCM Gain setting: On

Equilizer Settings on Equilizer Settings on Model Player:
None (experimental)

Note:
This is another previous development. so somehow i dont drop the case for good encodings and somehow i tend to pull them up and they come out good and im using the default legacy encoding setup and not fiddling around with the post flac encoder Signal Processing settings. this is a really good encoding. very strong sound .... btw, the legacy encoding allow the gain to work properly but somehow the encoding has to be just right.... the signal options over some amount of trying have gotten some results but in the weight of expirmenting i know theres a way to kick the power and gain in alot more but altogether i will make way to gather some time and reviewing the encodings in this blog to make the results better. i really wish mainly as a goal to make the gain operable on the encoded songs from the encoding results whereas i must find a good mock up for this... the sound must be good or else i wouldnt make any advancement in my head insomuch i take on reading and writing the much so for the music in how it achieves its weight in the world the pure enigma of sound and brain activity when listening is the most valuable thing on earth. im serious ... you get the encoding right man of christ the earth shakes at your soul with this media player technology.

Saturday, January 11, 2020

Music/Media Format Product Model: SONY NW-A55 DIGITAL AUDIO PLAYER
Headphone Model: JLAB STUDIO ON-EAR HEADPHONES (wired)

Album List:
Tool - Lateralus: FLAC cd rip Windows Media Player (Highest "Quality" Setting)
Tool - Aenima: FLAC cd rip (internet download)
Tool - Fear Inoculum: FLAC cd rip (internet download)
Tool - 10,000 Days: FLAC cd rip (internet download)
A Perfect Circle - Thirteenth Step: FLAC cd rip (internet download)

--> utilizing: - freac - audio encoder utility for linux (latest AppImage Release from freac.org /w flac encoder version 1.3.3)

freac utility warning: dont set any expirmental 'Resources' options because it will cause irregularity in sound quality

Albums: Tool - Lateralus, Tool - 10,000 Days, Tool - Fear Inoculum, A Perfect Circle - Thirteenth Step, Tool - Aenima

FLAC Mode Options: Custom settings - Joint Stereo <-- (not enabled) , Adaptive Joint Stereo <-- (not ennabled)
Blocksize: 32768
Window functions(s):

hann;gauss(0.1);bartlett_hann;gauss(0.03);bartlett;tukey(0.1);flattop;tukey(0.1);nuttall;gauss(0.01);hamming;gauss(0.03);kaiser_bessel;gauss(0.01);triangle;gauss(0.009);tukey(0.21);rectangle;tukey(0.19);welch;tukey(0.17);connes;tukey(0.15);blackman;gauss(0.05)

Maximum LPC Order: 32
Quantized LPC precision: 15
Exaustive Model Search: (unchecked)
Optimize LPC quantization: (unchecked)
Minimum partition order: 16
Maximum partition order: 16

Signal Processing Options Settings:
Best SINC Interpolater: 44kHz Sample Rate

^-- Note: if you get your ears right over time the legacy options still work fine but over time in my experience so far the legacy option helps then you can kick in the Signal Processing Option 'Sample Rate Converter' and keep up on some of the changes going on in your ears. This is a really valuable and powerful option....

Post Processing:
None

Player Settings:
DSEE HX: Off (experimental)
DC Phase Linearizer: Off (experimental)

Player Output Settings:
-3 Decibal Gain set to: Off
Same as PCM Gain setting: On

Equilizer Settings on Equilizer Settings on Model Player:
None (experimental)

Note:
Another previous setup with hamming ... this is mainly the 'other side' from namely (this blog entry) percussive to punchy sound with the functions setup the way they are. i like the percussive in the beginning because the sound that comes out is intuitive and clever so ill add hamming here with the previous entry and see how it turns out ....